A star of stage and screen, Academy Award winner Cate Blanchett turns evil in her latest role as the stepmother in Walt Disney’s highly anticipated new film, Cinderella.
It may be a sign that I’m in denial about aging when I could still envision Cate as the princess, not the stepmother! However, she certainly is a busy mom in real life, with three sons (Dashiell – 13, Roman – 10 and Ignatius – 6) with husband Andrew Upton. *UPDATE 3/6/15: Cate and her husband have adopted a baby girl, Edith Vivian Patricia*
Read on for Cate’s thoughts on the new film. While I would love to say this is an exclusive interview (maybe next time!) in the interests of full disclosure you must know that it was shared with me by Walt Disney Studios Canada – but it’s still fun to get the perspective of this famous mom!
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“Cinderella” in particular, because they deal with complex issues that face
children. So many stories that children are told now make them feel like they are
heroes who can overcome anything and that the world is a perfect place. The
timeless fairy tales, like “Cinderella,” tell us that the world can be a nasty
place and require a good deal of courage and resilience to survive. This is a
story where kindness is a super power, which is something Ken Branagh and I talked
about early on that I found really exciting. Plus, I have three boys so I’m
aware of all the films out there that have male superheroes at the fore, so I
was thrilled to be part of the telling of a female-centric story.
character like the stepmother?
I loved it. Like a friend of mine once said, ‘At a dinner party
I’d rather be sitting
to Lady Tremaine,’ so it was great fun to inhabit such a colorful role like
this. But Ken Branagh decided early on not to go for high camp, which you can
absolutely do in a fairy tale, and to find the core of truth to the character
instead, so it was quite a balancing act. No one is purely evil…everyone’s got
a motivation. The stepmother is what happens when good
is perverted: it often turns wicked. I was interested in exploring what makes
someone wicked. Through little vignettes in the film, you get a glimpse that
this is a woman who has tried to start her life again, and becomes intensely
jealous of the deep affection that her new husband has for his daughter,
Cinderella. She’s not as beautiful and not as kind and as good as Cinderella. When Cinderella’s
father dies, the financial pressures, the panic and the jealousy grow…that is
what makes her wicked.
up with the look of the character?
Costume designer Sandy Powell and I
drew inspiration from images taken in the
and Joan Crawford – women that we still admire today – who had a tremendous
sense of danger and mystery about them, especially the dramatic way they were
lit.
as Cinderella.
blithe spirit…she glows, and I think she is absolutely perfect for the role.
of fresh air and is totally unaffected. And there’s a generosity of spirit to
her as a performer, which is really rare and which requires incredible
discipline, focus and depth.
Grainger as Anastasia and Sophie McShera as Drisella?
has such exquisite natural comic timing, and both she and Holliday are so
unaffected, so they found a way of playing the sisters that was totally
believable. You genuinely believe that they felt they were both the brightest
button and the most beautiful girls in the room. But, they didn’t over play it,
despite how they were dressed, because they could have easily camped it up. They were fantastic. They found the balance
immediately, and they were so sweet and so funny.
his directing style?
delightful, but also sinister. He was able to harness both the domestic and the
grand moments between the characters.
He’s got a wonderful sense of rhythm as a director, so we knew we were in safe
hands. Being such a great actor, he’s very good at using the rehearsal time in
the morning.
He’s able to incorporate everyone’s process, and make it feel like a collective
effort.
us about the look of the film.
about the film exceeded my expectations. The production was
like Ken Branagh, Sandy Powell and production designer Dante Ferretti
collaborating to create the extraordinary visuals of a storybook world you’ll
see on screen. The world they have created is a bit David Lynch in the sense
that you’ve still got the old telephones but within a modern setting so you
don’t quite know where you are. But the story of “Cinderella” is timeless in
the best possible sense. The first time I walked onto the set of the ballroom I
had to pick my jaw up off the floor…it was like an MGM Technicolor moment,
and in terms of cinema I felt like I was transported back in time. When
Cinderella and the Prince took to the floor to dance, it was profoundly moving.
do you hope audiences take away from “Cinderella”?
sort
distance. But when you see Cinderella in the flesh, you’re really brought back to
the actual human cost (that is often personified in fairytales via fictitious
characters like the big, bad wolf or the wicked stepmother). And I think
audiences are going to genuinely be rooting for her. We all know the story of “Cinderella.” We all know the story of
“Hamlet.” But we go and see “Hamlet” over and over because the best productions
make us think maybe this time he will kill Claudius. And with this “Cinderella”
people are going to feel the same way and will be surprised by a lot of scenes
because they are so true, and therefore truly funny and truly tragic as well.
Audiences are going to feel like they’re being told the story of “Cinderella”
for the first time.”